While I edited and color-graded the project, we had a VFX artist for screen replacement and a sound designer for the final mix and foley. Thinking back on this project and the effort we spent finishing this series during a pandemic, it's another miracle it ever got done. Start your moodboard and deliver your final project in one app.įinally, we get to the finish line. For us, it would have saved countless hours of doing it on an actual piece of craft board. These can be shared, commented on, and approved as needed by stakeholders. In addition, all your mood board assets also live in the cloud. In PRODUCER, all drafts can be uploaded and managed in the cloud interface. With seven episodes in total, it was challenging to keep our draft versions organized across two different computers and several different email threads. Managing our drafts was a cumbersome process, as we used Gmail to send drafts back and forth. From this little project, Hunt and I envisioned a bigger story that would see the main character create their own dating app that would develop a mind of its own. Written, produced, and starring Sarah Randall Hunt, Stupid Cupid began life as a short film about dating in NYC. Let's look at each step that PRODUCER encompasses to see how it would have helped ease those struggles back in 2019. Stupid Cupid is now streaming on the Reel Women's Network, but the project didn't come to fruition without its struggles. A browser-based application that combines all of the filmmaking steps-development, pre-production, production, post-production, and delivery-and lets you manage them in one place. Much like I discovered on my project, Walser realized how many different tools he used just to coordinate-organizing a team, communicating with everyone involved, storing all the contacts, assets, and data, and making it accessible to everyone.įrom this struggle, PRODUCER was born. Inspired by mentor, supporter, and film enthusiast Georges Kern (CEO of Breitling), founders Xaver Walser and Paul-Émile Joessel created PRODUCER as a tool not to exploit the market but to create the one thing commercial and film productions are all about-efficiency.Īfter starting his own commercial film production company and creating commercials for global brands such as JetAviation, Audi, and IWC, to name a few, Walser found himself struggling with the usual chaos of coordinating film productions. So how can one application do all of that and more? Let's start at the beginning. It would have replaced Studio Binder, my contact list, and my shot list toolkit, and even enhanced my post-production process with a Frame.io-style collaboration tool.Īnd that's just the tip of the iceberg because PRODUCER offers a free account where you can organize 1 to 2 projects, making it a perfect tool for budget creatives. When I heard about PRODUCER, a cloudspace that allows you to collaborate with your entire team, all I wanted to do was go back in time and redo the entire production with this one application in our pocket. We even did post-production during a global pandemic. From storyboard applications, call sheet templates and shot list creators, it was a job in and of itself just to manage everything me and my team needed to get the project finished. Getting it off the ground, produced, edited, and delivered to a festival required the use of countless different tools. In 2019, I wrapped production on a web series I directed that ended up premiering at Dances With Films. Just use the “NFS20” code before your 7-day trial expires. You can get it here. NFS readers get an exclusive coupon code that gets takes $20 off the list price. It makes the process a little faster and efficient not having to jump from program to program, especially when changes are made to the edit.Ĭolor Finale costs $99, but if you want try before you buy, Color Grading Central is offering a free 7-day trial of the plugin, which contains all of the tools and functions of the paid version. The major benefit to this plugin is that you don't have to leave FCPX to grade your footage, which is great news for filmmakers who are not only editing their own work, but are doing the final grade as well. Has announced their new Final Cut Pro X plugin, Color Finale, which gives users tools that are typically reserved for completely separate grading programs, like 3-way color wheels, RGB curves, vector based secondaries, and 3D LUTs all within the FCPX timeline.Ĭheck out the video below to see what Color Finale can do for your footage:Īnd here's a demo to see how the plugin works in real-time: DISCLOSURE: This is a sponsored post by Color Grading Central.
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